The poem’s purpose is to reflect on
how people’s, particularly women’s perception of themselves changes with age.
The tone shifts from light to melancholy between the first and second stanza.
The first depiction of reflection
is through a mirror. With the mirror as the speaker, it portrays itself in a
god-like manner describing itself as “silver”, with “no preconceptions”, and as
the “eye of a little god”. This description suggests that the mirror, like a
god, judges truthfully but is “not cruel”. With the light tone, the author
depicts this as a positive aspect. Therefore, the mirror reflects an image that
the author is content with. The “pink[…speckled]” wall could represent a child’s
room, which is a “part of [its] heart” suggesting that the author will always
be young at heart. The perception of one’s self through a mirror is clear,
however in a lake it is permeable and ever changing.
Using a lake as a mirror symbolizes
a change in the author’s or women’s perception of themselves which is reinforced
by the shift in tone. Although it is unclear of who views themselves in the
mirror, Plath specifies that a “woman bends over” the lake. This suggests that
with age, women view themselves differently. This stanza of the poem is much
darker than the first one. The lake criticized the light which the woman turns
to for truth calling the candles and the moon liars. These two objects provide
light in otherwise dark situations, suggesting that the lake upholds a godly manner
like the mirror. To the lake, the woman provides it light because she “replaces
the darkness”. This could mean that the lake is almost territorial of her. In a
simile, the woman is compared to a “terrible fish” which suggests that she
views her aging negatively- as if coming nearer to death every day. By
personifying both the lake and the mirror, Plath makes the reflectors seem like
the physical representation of the conscious of a woman.
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